José Montalvo
Choreographer and director of MAC Créteil
Choreographer, video artist, director and set designer, José Montalvo has created some thirty works, sometimes in duo with Dominique Hervieu, sometimes on his own. With a flamenco-dancing mother who took him to see musicals over and over again, the young man was fascinated by the language of the body from an early age. Yet it was to art history and the visual arts that he turned when he entered university. His professional dance training began in parallel with his studies, with the American Jerome Andrews and Françoise and Dominique Dupuy. In addition, he perfected his skills in workshops led by such great names as Lucinda Childs, Carolyn Carlson, Alwin Nikolais and Merce Cunningham.
His professional career began in the late 1970s, first as a dancer with the Ballets Modernes de Paris, then as a choreographer in 1986. It was at a Peter Goss class that he met Dominique Hervieu, who quickly became the dancer of choice for his shows and a key artistic partner. From then on, the two dancers worked together, founding their own company in 1998, soberly named compagnie Montalvo-Hervieu. Together, they developed a particular gestural style to create original choreographies, in a body language all their own.
From piece to piece, their choreographic writing is characterized by a remarkable blend of dance styles and digital technologies. She superimposes the living and the virtual, reality and imagination, the traditional stage and video projections, with a pronounced taste for collage, crossbreeding and the hybridization of genres and imaginations.
Winner of the most prestigious awards in contemporary dance since 1986, José Montalvo was in turn director of the CCN de Créteil, artistic director of the Théâtre national de Chaillot and finally director of the Maison des arts et de la culture de Créteil Grand – Grand Paris Sud Est Avenir. From September 2016 to December 2024, José Montalvo directed the Maison des Arts de Créteil – Grand Paris Sud Est Avenir, developing an artistic project rooted in the values of aesthetic cross-fertilization, redoubled dialogue between forms, and broad openness to new contemporary writing. Today, he devotes himself exclusively to his original passion, choreographic creation.